Architects
of Narghilé
1. Ela
Hanoumaki Mou (My Little Harem Girl) (3:10 /64kbps mp3)
Ela Hanoumaki Mou (My Little Harem
Girl) Hanoumaki is the diminutive of the Turkish word for "lady", usually
referring to the women who frequented the harems or hashish dens of
the Ottoman Empire. Here, the singer is asking his loved one to recount
those charged days and nights in Smyrna at their old haunt, and to try
to rekindle them.
2. Mikros Aravoniastika (Engaged Too Young) (3:23 /64kbps mp3)
A "mangas" (hipster) bemoans the loss of his independence at a young
age to an even younger bride. The singer is not so much down on marriage,
rather his youth has ill prepared him for what is about to transpire.
3. Strawberry Moussaka Forever (5:09 /64kbps mp3)
Two protagonists, stranded on a desert island: a fervent
Umm Kalthum and a reticent Sergio Leone. With one foot firmly planted
in the west and the other ever so precariously in the east, the plot
unfolds . . . to one the song is a fruit, to the other it is a casserole.
4. To Haremi Sto Hammam (4:19 /64kbps mp3)
The sweet life of the privileged class, filled with narghilé, Turkish
hash and harem girls dancing the tsifteteli. Considering that composer
Anestis Delias died at the young age of 32 both impoverished and a victim
of drugs he isn't bitter about the life he has no chance of ever enjoying-
rather he speaks of "la dolce vita" in an almost celebratory but sardonic
way.
5. Where Have All The Years Gone (3:43 /64kbps mp3)
A nostalgic travelogue of the old districts of Athens. Sadly, those
places (along with the years) have come and gone and the manges have
grown old.
6. Nihtose
Horis Fegari (Night Without Moon) (7:09 /64kbps mp3)
A revolutionary song, seminal
in the history of Rembetika music, written by a 21 year old Apostolos
Kaldaras, and eventually banned in 1949. It captured the harsh conditions
of the Greek civil war. Night descended without moon, the darkness is
deep but a brave young man cannot sleep The door opens and the door
closes with a heavy sigh If only I could guess the sorrow in his heart
What can he be waiting for from night until morning By his narrow cell
window which is lit by a candle
7. Melina
Visits the Slums of Skopje (1:06 /64kbps mp3)
Rhythms of Macedonia, the
eternally disputed crossroads of the Balkans. The thirteen apostles
loose the reins of apocalypse, freeing the iconic image of Melina lifting
her wings ever so heavenward towards Skopje. Translation: more or less
a Bulgarian Ruchenitsa in 13/16, 27 bars in length and runs at just
under 1:02 minutes.
8. Mavra
Matia (Dark Eyes) (3:24 /64kbps mp3)
A song in 7/8 time about
love gone wrong, and the existential reverberations felt by the protagonist.
The eyes which once bewitched him are now silent though the night.
9. Tsifteteli D Hijaz (3:35 /64kbps mp3)
is a sensuous rhythm closely associated with the belly dance. The "D"
in the title refers to the key of the song and "Hijaz" is the road (scale
or mode) to be traveled. The song was written in the 70's by Leonardos
Mbournelis - the "Jeff Beck"of the bouzouki, who possessed a phenomenal
set of sideburns and an insatiable appetite for rocking tsiftetelia.
10. PSAROPOULA (CAPTAIN A. ZEPO) (3:18 /64kbps mp3)
The story of fisherman and apha-male Andreas Zepo. While most fishing
boats will cast their nets into the water yet catch nothing, Captain
Zepo is able to reel in a bountiful catch of squid.
11. Mes
tis Polis To Hammam (In the City's Bathhouses) (4:15 /64kbps mp3)
This song is essentially track #4 put in a blender. The voice
of the universal interlocutor speaks from Mt. Olympus, assuring us all
is fine with the cosmos. The key is changed, the tempo punched up and
the bouzouki flanged, but the road rocks all the way to the Parthenon.
12. Oi Manges Then Iparhoun Pia (the hipsters have left the building)
(4:47 /64kbps mp3)
The song tells of a neighbourhood which was razed to make way for new
development, forcing the manges to pack up and move on. A song about
the negative effects of "progress" on the lives of individuals, through
the loss of community, friendships and the disintegration of family.
The manges don't exist anymore The train line cleared them away With
bravado they've weighed anchor And their narghilé extinguished. Though
the lyrics may express a resignation to fate, in tempo and mood the
song is defiant....an anthem of the dispossessed.
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